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当医生来敲门(mén )，健(jiàn )康的人(ré(⚫)n )都成病人，不(bú(🈂) )管(💪)小(🐂)病(bìng )还是重(💬)症(💳)，能够赚(zuàn )钱都是(🏿)好病人(rén )。

出(chū )租车(🙏)司(sī )机栗花的(🎻)丈(👫)夫(👼)(fū )因车祸(huò(🛅) )去(🔑)世。栗花与儿子(zǐ(⚡) )张明明的关系紧张(🏆)(zhāng )，为得(dé )到儿子(✍)的(🎺)承认(rèn )，她决(🚻)(jué(🚬) )定做儿子崇拜的(🥁)英(yīng )雄。她化身出租女(nǚ )侠惩恶(è )扬(🧦)善，无意中(zhōng )招(📐)惹(🕞)了(le )贩卖(mài )人体(🔴)器(💔)官的组(zǔ )织。栗花最终打败(bài )邪恶组(🏻)(zǔ )织，成为儿子(😋)(zǐ(🔯) )敬(💀)爱(ài )的母亲(🕦)(qī(🀄)n )。

古代有一伙(huǒ )劫(📁)富济(jì )贫平乱为民(🥉)的正义(yì )强盗(⬅)，与(🐵)一(🅰)伙(huǒ )无恶(è(🕍) )不(🍙)作的(de )海盗，共同得(😫)(dé )知一条(tiáo )关于宝藏的消息，但想找(🔱)到(🤙)宝藏必须(xū(🏡) )要(🎞)找到(dào )一位女孩(😄)，藏(cáng )宝图与(yǔ )开启宝藏大门的钥(yà(😓)o )匙在女孩的手(😿)中(🦓)，但女孩(hái )在多(🎡)年(🦕)前已经(jīng )消失在(zài )那个(gè )世界，传闻(🙈)是(shì )穿越到了(🎧)另(📵)一(🐟)个时(shí )代。

Office misfit Darlene Henderson, AKA "Kitty", takes her cat obsession to perverted and supernatural places, dragging her hapless co-workers John and Janine down dark and feral alleyways of murder and lust.

From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs

1891年(🧗)(niá(📿)n )，后印象派大(dà )师(🛎)保(bǎo )罗·高(gāo )更在(🍊)巴黎的艺(yì )术(✏)圈(🍎)已(🔓)(yǐ )小有名气(🌓)，但(🤗)为文(wén )明社会的(🆔)虚伪(wěi )与矫(jiǎo )情感到(dào )厌烦。对于原(🐁)(yuá(🖥)n )始世界(jiè )的(🚥)渴(📼)望驱使他离开(kā(🏕)i )家中妻小，来到南(nán )太平洋(yáng )的大溪(🔪)地；准(zhǔn )备好(👩)为(🚟)(wé(🔸)i )追寻已久的(🦉)自(🥐)然、野性、纯粹的生活(huó )与创作(zuò(🤦) )环境牺牲一切(😏)(qiē(🔜) )。忍(👝)受(shòu )着经(jī(🥑)ng )济(🎑)上的贫困和(hé )精(♑)神上的孤寂，高(gāo )更(😻)走进(jìn )丛林深(🍯)处(🍎)，认(⚡)(rèn )识了(le )当(dā(🏹)ng )地(🎳)的(de )毛利人，邂逅(hò(🚏)u )了原住民女孩德胡拉；一(yī )段三角(🚰)关(👳)係也(yě )若隐(🙃)(yǐ(🎐)n )若现地(dì )缓缓浮(🌾)出。这(zhè )座远方(fāng )岛屿彷佛是他灵魂(👫)(hún )的故土，此处(⛵)充(🚋)满(🔖)(mǎn )生命力(lì(🤠) )的(🏯)人物面貌与(yǔ )地景线(xiàn )条都成为他(😣)的缪思(sī )，激发(💕)他(❗)创(🛳)作出艺(yì )术(🔘)生(🥙)涯(yá )中最具标志(🗜)性(xìng )的大师(shī )之作(🗿)。

闇金からの借(🤱)金(🗄)が(🧥)返せず、ス(🌴)ナ(🍟)ックで強制的に(🐅)働(dòng )らかされている、満里奈(nài )、(🚖)優(💦)梨、鈴。3人は(🖐)自(🈺)閉症(zhèng )の進ノ介(🍥)の家(jiā )に転(zhuǎn )がりこみ生活してい(🤲)た。3人(rén )は女性(👉)が(📮)苦(🛄)しむ姿(zī )を(🆙)見(🏥)て快楽を楽しむという変わった癖(🕞)(pǐ )を持ってい(🌡)た(🦀)。捕(👥)まえてきた(🏽)風(🎡)俗嬢をさんざん(🗺)いたぶり、殺害(hà(🔭)i )しコンクリート(🛹)に(🔖)固めて捨て(🧦)て(⤵)いた。ヤクザの愛(🕳)(ài )人である美麗(lì )を捕(bǔ )まえてき(🌬)て(😟)、新たなえ(🐑)じ(🕟)きにする3人だっ(🗒)た…

Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?

A romantic thriller that explores the emotional aftermath of a one-night stand (and the inherent risks of hook-up culture) as a lonely man imagines what life might be like with a mysterious stranger he picks up on the New York City subway.